The 10 Best Room Mics for Drums

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Do you want to improve the quality of your drum recordings? Adding room microphones will help capture the room’s sound and give your drum recordings a more natural feel. 

But, how do you know which room microphones to buy? And, how can you afford them? In this blog post, we’ll discuss how to find a good pair of room microphones for drums that are both affordable and high quality. Stay tuned!

1

Coles 4038

The gold standard of room mics for drums
HIGH END and smooth
The Coles 4038 Studio Ribbon Microphone, designed by the BBC, is ideal for drum room mics due to its clear, smooth, and wide frequency response from 30 Hz to 15 kHz, maintaining low distortion and high sensitivity.
What We Like
  • Great for drum overheads, room mics.
  • Cymbals sound natural and easy on the ears.
  • Enhances ambient quality of recordings
What We Don’t Like
  • Requires some distance from the sound source to sound best
  • Needs a lot of gain
  • Known for a darker sound profile
  • Cost

The Coles 4038 is a legendary ribbon microphone that is great for drum room miking. For rooms, utilize a spaced pair to get a big, smooth stereo sound. 

The result gives a soft yet punchy sound that is also great for overhead microphones. The Coles 4038 is an excellent choice for drum room miking because it has a low sensitivity to the ambiance and produces a clean, clear sound.

2

Shure KSM32

Affordable mic that’s decent for drum rooms
GOOD ON OVERHEADS, AS WELL
The Shure KSM32 is a go-to choice for room mics due to its transparent sound. It features a gold-layered diaphragm for superior transient response and a transformerless preamplifier for crystal-clear sound. These mics are ideal for drum room mics, capturing clean, detailed audio with minimal noise.
What We Like
  • Built like a tank
  • Clean and uncolored, ideal for a natural drum kit sound
  • High performance at an affordable price
What We Don’t Like
  • Unique presence peak can make cymbals sometimes a little odd, requiring further EQ adjustments

Shure KSM32s are excellent drum room microphones that have a cardioid polar pattern. In addition, these mics have a low-frequency filter which is helpful for recordings that need more bass. 

The Shure-quality construction and the 15dB switches pad make the Shure KSM32 one of the best drum room mics on the market. I highly recommend them for a new pair of drum room microphones for anyone in need. They are a great value and will provide you with years of trouble-free operation.

3

Audio-Technica AT4050

Versatile mic with a wide frequency range
good on many sources
The Audio-Technica AT4050 is a top-selling mic known for its transparent highs, rich low-end, and versatility with three polar patterns. Ideal for demanding recordings and excellent for drum room mics.
What We Like
  • Versatile like a C414 or U87
  • Great value for the price
  • Good for recording room and overheads
What We Don’t Like
  • Lacks distinctive coloration
  • A bit boring-sounding, but still gets the job done

Audio-Technica’s AT4050 is a large-diaphragm condenser microphone that delivers exceptional clarity and transient response. In addition, it features a fixed cardioid pattern that rejects off-axis noise and coloration. 

The AT4050 also has a 10dB pad and a low-cut filter that help to reduce noise and unwanted rumble. The result is a clean, transparent sound that is perfect for capturing the nuances of drums in a room setting. 

In addition, the Audio-Technica AT4050 is an excellent choice for drum room microphones and is sure to capture the full range of your drums’ sound.

4

Earthworks TC20 Matched Pair

Affordable stereo pair of room mics
Good on a budget
The Earthworks TC20MP matched pair is ideal for recording highly detailed drum rooms. Known for their transparent and accurate sound reproduction, these small-diaphragm condensers are perfect for critical recording applications, including drum overheads, orchestras, and acoustic instruments.
What We Like
  • Extremely accurate and transparent sound
  • Ideal for drum overheads and room miking
  • Fast transient response
What We Don’t Like
  • Too sensitive for untreated rooms

Earthworks TC20mp microphones are excellent drum room microphones. They have a small-diaphragm condenser, which allows them to handle massive SPLs and produce uncolored recordings. 

They also have an omnidirectional polar pattern, which ensures that they capture the natural sound of the drums. However, they require 24-48V phantom power, so check that your audio interface can provide this before you purchase them. 

Earthworks TC20mp microphones are an excellent choice for drum room mics, and they will help you produce high-quality recordings of your drums. They also work great on drum overheads, and overall, they’re some of the best drum microphones available.

5

AEA R88 MkII Stereo Ribbon

Sounds like you’re physically in the room
Desert island room mic
The AEA R88 Mk2 stereo ribbon microphone delivers the classic ribbon sound with modern stereo imaging capabilities. Perfect for drum overheads, orchestras, and room miking, the R88 Mk2 captures a rich, natural sound with excellent transient response.
What We Like
  • Classic ribbon sound with modern stereo imaging
  • Great for room mic on drums
  • Rich, natural sound with excellent transient response
What We Don’t Like
  • Requires careful placement
  • Very delicate, as most ribbons are

The AEA R88 MkII Stereo Ribbon Microphone is an excellent microphone for capturing the natural sound of drums. In addition, the microphone has a high SPL rating, ideal for capturing loud drums. 

The AEA R88 also has a great stereo spread, allowing you to capture a wide range of frequencies with one microphone. This makes it perfect for drum room microphone applications. Overall, the AEA R88 is ideal for anyone looking for a high-quality drum room microphone.

6

Beyerdynamic M160 Double Ribbon

A fantastic, do-everything mic
USed on “When the levee breaks”
The Beyerdynamic M160 Double Ribbon excels as a drum room microphone, capturing the natural ambiance with precision. Its dual-ribbon design enhances sensitivity and provides a wide frequency response, making it ideal for recording drums.
What We Like
  • Exceptional sound quality
  • Ideal for drum room microphones and various instruments
  • Dual ribbon design for enhanced sensitivity
What We Don’t Like
  • Requires a lot of gain

Fun fact: the drum recording of Led Zeppelin’s “When The Levee Breaks” was recorded using a pair of Beyerdynamic M160s. A lot of that sound is the magic of the lobby of Headly Grange, but you can get an idea of how this mic sounds by listening to that song.

Thanks to its smooth, natural sound, Beyerdynamic’s M 160 is a popular choice for drum room microphones. A stereo pair of these microphones can capture a wide range of frequencies, from the deep rumble of the kick drum to the sharp snap of the snare. 

The Beyerdynamic M 160 rejects off-axis sounds well, making it easier to achieve a clean, focused sound. Ribbon mics are often used in pairs, and the Beyerdynamic M 160 is no exception. 

A stereo pair of Beyerdynamic M 160s can provide a detailed, immersive sound that brings out the best in any drum kit.

7

Beyerdynamic M160 Double Ribbon

The legendary studio vocal microphone
Works great on rooms and ohs
The Neumann U87 Ai is a legendary large-diaphragm condenser microphone renowned for its versatility and sound quality. With three selectable polar patterns (omnidirectional, cardioid, and figure-8), it excels in a variety of recording applications, like vocals, drums, and rooms.
What We Like
  • Low self-noise
  • Smooth and balanced frequency response
  • Three selectable polar patterns
What We Don’t Like
  • Pricey, especially for a stereo set

The Neumann U87 is one of the most popular drum room mics. The mic is well known for its clear and transparent sound, and it can be used in either mono or stereo setups. 

Many engineers swear by them for drum room mics, as they provide a classic sound that is very versatile. While they are not the cheapest option, many users feel that they are worth the investment due to their quality and consistency. 

So whether you are recording in a studio or live setting, the Neumann U87 pair is an ideal option for your room mics.

8

AEA R84 Passive Ribbon Microphone

The AEA R84 Ribbon Microphone excels as a drum room mic, offering natural sound and figure-8 sensitivity. It handles percussive attacks with clarity and provides a full frequency response from 20Hz to 20kHz. Ideal for professionals, it captures detailed, intimate, and warm audio without harshness.
What We Like
  • Smooth top end
  • Great for vocals, guitars, percussion, and more
  • Handles EQ well
What We Don’t Like
  • Requires high-quality preamp with lots of gain
  • Picks up a lot of ambient noise
  • Strong proximity effect

AEA’s R84 is a large ribbon microphone that provides a marvelous clarity and richness of sound that is perfect for capturing the warm sound of drum shells. 

Its smooth, 3D-sounding reproduction of drums in a room setting is second to none, making it an essential tool for any engineer or producer looking to capture the true essence of a drum recording. 

The AEA R84 is also an excellent choice for any situation where a high-quality, large-diaphragm microphone is needed, such as recording choirs or orchestras. With its superior sound quality and versatile applications, the AEA R84 is a must-have for any serious audio engineer or producer.

9

Neumann TLM102 (Mono or Stereo)

The Neumann TLM 102 is a compact, large-diaphragm cardioid condenser mic with low-noise circuitry. Ideal for drum room microphones, it handles extreme SPLs (up to 144dB) and captures sound sources naturally, ensuring high clarity and minimal coloration.
What We Like
  • Small size, useful for tight spaces
  • Low noise, handles high SPLs well
  • Versatile for various applications like drum overheads and rooms
What We Don’t Like
  • No pad, high-pass filter, or adjustable patterns
  • Not ideal for untreated rooms due to poor rejection
  • Not a workhorse mic

If you’re looking for a great mic in your drum room, the Neumann TLM 102 is a great option. It’s a large-diaphragm condenser mic that sounds great on drums and can handle high SPLs. 

It has a balanced and natural sound, ideal for stereo or mono room setups. Plus, it’s less than half the price of Neumann’s top-of-the-line U 87. So if you’re looking for a great-sounding, high-quality mic that won’t break the bank, the Neumann TLM 102 is a perfect choice.

10

sE Electronics T2

A good budget option for a stereo pair
The sE Electronics T2 mic features a titanium-sputtered diaphragm for fast transient response, ideal for drum room mics. Its four polar patterns and robust build make it versatile and durable.

The sE Electronics T2 is a flawless microphone for drum room recordings. It’s a large-diaphragm condenser, so it captures all the detail and nuance of the drums. And because it’s a condenser, it has lightning-fast transients, which is excellent for capturing the attack of the drums.

The sE Electronics T2 is also Neutral sounding so that it won’t color the sound of the drums. It’s also versatile – it can be used for stereo or mono room setups. And it’s affordable so that it won’t break the bank. So if you’re looking for a perfect microphone for drum room recordings, the sE Electronics T2 is a great option.

Wrapping Up

That’s it for our list of the ten best room microphones for drums! We hope this article has helped you in your search for the perfect microphone for your next recording session. The Coles 4038 stereo pair is a top pick for most engineers, but it’s pricey (same with the Neumann U87s). If you’re starting out, maybe skip on the room mics. But if you want something more budget friendly, go with the Earthworks set.

If you have any questions or comments, please feel free to leave them below. And don’t forget to share this article with your fellow drummers and engineers!

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