The Meinl 20″ Byzance Extra Dry Medium Ride is one of those cymbals that instantly commands attention — not because it’s loud or bright, but because of its depth. Every note feels intentional. Its tone is complex, dark, and refined, with just enough stick definition to make it usable in a variety of settings.
Tone and Feel
Ideal for jazz, funk, and light rock, this ride walks the fine line between articulation and atmosphere. When played softly, it delivers a controlled, woody stick sound over a subtle dry wash.
Tone
Push it harder, and it blooms into a rich spread that never feels harsh or overpowering. The dynamic range is wide, yet the volume stays contained. It’s the kind of cymbal that always seems to record well, no matter how you mic it.
Articulation
Studio and Performance Use
I’ve used this ride on several newer Vinyl Theatre recordings, and it’s become my only go-to ride for sessions. It’s versatile enough to ride on during heavier sections, where the wash opens up beautifully, but it’s also delicate in quieter moments, sitting perfectly in the mix without dominating the space.
Dynamic Range
It pairs nicely with other washy cymbals, like my Dream 19″ Dark Matter Crash Ride. Together, they create a warm, dark blend that feels cohesive and musical under overheads. The Meinl sits slightly higher in the mix tonally, which helps it complement darker crashes without getting buried.
Versatility
Craftsmanship and Individual Character
Each Byzance Extra Dry cymbal has its own voice, and that’s part of the charm. Mine feels perfectly balanced: dry and controlled on top, but full of life underneath.
Wash
The hand-hammered craftsmanship gives it that “expensive” sound. Warm, dark, and articulate without being sterile. The hammering is remarkably consistent, with smooth edges and a refined taper that contributes to its excellent dynamic control.
Design, Durability, and Build Quality
It’s not a cheap ride, but it feels worth every penny. The B20 bronze and natural raw finish look stunning up close, with that distinctive Meinl patina that ages gracefully. Like all Extra Dry cymbals, it has that signature “dusty air” in the sound that makes it instantly recognizable on recordings.
I’ve had this cymbal for nearly six years now, and it’s still in fantastic shape. No cracks, no edge wear, no signs of fatigue. Despite its raw surface, it’s relatively thick for an Extra Dry model, which helps it hold up even with frequent studio use and light gigging.
Value
I haven’t done much cleaning beyond an occasional wipe with a damp rag, and the patina has only deepened its visual character. I’m meticulous about transport, but even so, its durability has been impressive for such a nuanced, handcrafted instrument.





